Archive for the ‘On writing’ Category

Writing again

Tuesday, November 24th, 2009

In which the author, now an elected official, returns to her love of writing

Mark the day, Nov. 24, 2009. I find myself with thoughts and time to collect and even record them.

Fiction Daily has for two years been my constant writing companion as have you, dear readers. Since running for office I have neglected writing beyond my professional articles and the speeches and whatnot one must, and should, be able to offer when seeking to serve.

Indeed, campaign obligations made me a much better candidate, and today, official. Preparation for the many forums, interviews and presentations forced me to dig deep into laws, ordinances and budgets to talk about them somewhat intelligently. I feel a much better elected one for it.

In the meantime, WordPress has updated and the new dashboard is unfamiliar! I have thousands of spam comments! But how nice to be back in Fiction Dailyland.

For those coming late to the blog, I am a writer in Greenville, N.C., where I earlier this month was elected to serve as a representative on our City Council for District 3. I should take office on Dec. 7.

In the meantime, I work as a project manager, write articles and create marketing for clients. I am grateful to make a living as a writer.

For the past seven and a half years I’ve been writing a novel, as well. It started out as a short story, with this opening sentence:

August came as usual that year, but the tobacco trucks — with their tall mounds of honey-brown sheaves, the lingering sweet trails and the bumpity wheels of rickety old trucks going to the warehouses — did not.

That sentence opened a door I knew would take more than 5,000 words to walk through. Since writing that sentence in 2002, I have worked on and off. I’ve done character sketches, dwelt on names for my characters, outlined plots and chapters.

I sit to write and sometimes they come, but often these people remain shadows and cutouts, unable or unwilling to reach out with their true selves to me.

Nevertheless I have several hundred pages (most of which I’ll probably toss one day). I have several characters; a homeplace; a town; a villain; a love triangle; great tragedy.

Though ready to serve, no longer campaigning, I hope now to return to my novel, my life.

The working title is The Curing Season or A Cure for August.

A special shout-out to my friend Gene, who has been my constant friend and editorial rock, and whom I look forward to working with again on our various fiction (and fictional) pursuits.

So, to fiction!

Mid-June News

Monday, June 15th, 2009

A brief hello from Fiction Dailyland, where I am putting together a large article, working on a Web site and managing to get by in these uncertain economic times.

The article I worked on for many months, describing the earliest discovered European settlement in the Southeast (spoiler alert: it was Spanish!) has appeared in Archaeology Magazine. My hat is tipped to the fine editor I worked with, whose drive for a better article pushed me to a new level. My husband took the photos during our site visit last year.

You can find part of the article here, and the full article in the July/August issue of the magazine.

Meanwhile my campaign for Greenville City Council is chugging along. Met with my treasurer yesterday and she has taken the ball and is running with it. That’s one of the most important volunteer needs for a campaign, so it is a gift to have her on board.

Filing opens July 6 at 8 a.m. and Yours Truly will be there. Bright and early.

Meanwhile, in really really big news, I bought a new bird feeder from Wild Birds Unlimited. It’s awesome! Made from 37 recycled milk jugs, it has a lifetime warranty. It’s quite sturdy and the birds love it. If they can ever get away from the squirrels, that is. Yep, one squirrel just parked himself on the feeder last week until he emptied out all the seed. That must have been a half pound or more. (Must buy a baffle.)

The feeder was an investment, as it cost more than your average feeder. I purchased it during a moment of clarity when I reminded myself that
– I wanted to support local businesses, and Wild Birds Unlimited is a locally-owned franchise. Thanks Debbie!
– I needed more than “lip service” about recycling. Buying recycled items is as important as tossing plastic in the bin
– I believe in “Made in the USA.” The feeder components are all U.S. made, though I’m not sure where the feeder was assembled.

Meanwhile, I hear Mr. Blue singing a lot lately, so I imagine he must be ready to raise more babies with his wife. I’ll keep you posted. Happy week from all of us here at Fiction Daily!

With Love, Sherlock Holmes

Friday, May 22nd, 2009

FIGURATIVELY SPEAKING, MY DEAR WATSON

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Today marks a big celebration in Fiction Dailyland: It is the 150th birthday of Sir Arthur Conan Doyle (1859-1930), creator of that marvelous character for all times, Sherlock Holmes.

Nothing compares to Conan Doyle’s writing for clarity, subtle humor and mystery. It’s interesting to note that prior to Conan Doyle’s Hound of the Baskervilles, never had there been a true detective character in a novel. We indeed had the masterful Edgar Allan Poe’s detective C. August Dupin, in “Murders in the Rue Morgue,” a short story. (He also appeared in “The Mystery of Marie Roget” and “The Purloined Letter,” one of my personal favorite short stories.)

We also had an early prototype of a detective story penned by Wilkie Collins, The Moonstone. I can’t remember at all how that one turned out, but I certainly enjoyed reading it. That novel centers on a missing, exotic, gem and the family who possessed it. There were strange bands of touring gypsies, magicians and Indians; ladies with honor; families with class and wealth. (They just don’t write them like that anymore.)

In 1892 appeared The Hound of the Baskervilles. Sir Doyle also gave us these stories: “A Study in Scarlet,” “The Sign of Four” and “The Red-Headed League.”

On today’s “Forgotten English” calendar (by Jeffrey Kacirk), a fascinating story with which we writers can find considerable affinity. Trained as an eye doctor, he took an office at 2 Devonshire Place, and

… Every morning I walked from the lodgings at Montague Place, reached my consulting room at ten, and sat there until three or four with never a ring to disturb my serenity. Could better conditions for reflection be found? It was ideal, and so long as I was thoroughly unsuccessful in my professional venture, there was every chance of improvement in my literary prospects.

Imagine if he had instead collapsed with self-pity and done nothing all day; instead, this stellar “failure” gave us one of mankind’s most delightful writers.

HAPPY MEMORIAL DAY FROM FICTION DAILY

Kieslowski Week: Red

Thursday, April 30th, 2009

KRZYSZTOF KIESLOWSKI WEEK ON FICTION DAILY

The last of Colors Trilogy, Red, gives us an almost unbearable look at human fragility. It explores the lonely life of an older man, who we learn was once a judge … along with the life of a beautiful young woman.

Of course, the color red gives everything a heightened emotional complexity, and brings a sense of anticipation that is absence in, say, blue, which is more about the inner life, and white more about the outer life.

Red brings them both together, in some ways, the inner and outer life. Yet in the end, the private life determines our outer life, in so many ways. (Red takes as a starting point the French “fraternite,” fraternity or brotherhood, presented by that color in the French flag.)

Valentine is played by Irene Jakob, who also starred in The Double Life of Veronique, an earlier Kieslowski film. It also features writing by Krzysztof Piesiewicz and music by Zbigniew Preisner, his long-time collaborators.

It’s interesting to not that Mr. Piesiewicz is a lawyer. White features a very likable lawyer named Mikolej, and of course this film presents us a judge.

To avoid giving away the plot elements, which are sparse, I’ll say little else about it.

Red (Rouge, Czerwony) was the last theatrical release by Kieslowski. He died in 1996.

Yet I was just in time: Red was my introduction to Kieslowski when, in 1994, I drove myself to Raleigh to see it. (Back in my single-girl days I would often go to Raleigh to see films).

I’ll never forget the experience of seeing the large red scarf blowing in the storm, or the overall power of Kieslowski’s images.

Within 18 months, I was living in another Slavic country in Prague. I attended the Karlovy Vary film festival that summer (1996) where I was among a tiny audience that screened a documentary on Kieslowski. It was in Polish without subtitles!! Who cared. I loved the man. A great artistic romance was born within me.

It’s been 5 years since I’ve seen a movie in a theater, and I will probably never again see a movie on the big screen. It’s partially because of too many bad experiences — focus wrong, gum on screens, talking people.

I just can’t bear those places. Can’t bear the mentality that cheapens the film experience. Can’t bear the feeling that I’ve been abducted by a malevolent force that wants to overwhelm my senses, and deaden my emotional response.

So when I write about Kieslowski, I’m also mourning a bit the innocence he represents for me and for us all. There was a real childlike quality to his filmmaking, tied not a little to the Communist regime’s control.

These days, I watch on my computer, at home, with the dogs and cats. It’s a much saner world here.

At the same time, I wonder what films Mr. Kieslowski would be making if he were with us?

FICTION DAILY RETURNS NEXT WEEK!

Pulitzers

Wednesday, April 22nd, 2009

KIESLOWSKI WEEK RESUMES NEXT TUESDAY

We here at Fiction Daily apologize for iterrupting Kieslowski week. In recognition of the new Pulitzer Prizes, we feel it’s only fitting to spend a few words in honor of W.S. Merwin, who yesterday received his SECOND one.

I admit I am unfamiliar with his works. But as a rule, whenever a writer has a Pulitzer, he or she becomes a no-questions-asked selection. That was how I found “The Good Earth” by Pearl Buck.

It’s worth having a look at the entire list of winners this year. It’s notable that many of them are related to uncovering abuses perpetuated under the Bush administration.(We can hope for more light and corrections in years to come.)

Modern Library also has a valuable list of its 100 Best Novels. “Under the Volcano,” by Malcolm Lowry is number 11, and that’s how I found this quirky, but deeply rewarding novel. Hang with it for as many pages as you can stand … worth the ride, but difficult.

But back to the poet Merwin. If you haven’t read his works, you can probably bank on an outstanding reading experience. Dip your toes in online here … but be sure to visit your local independent book seller and buy copies for yourself.

In Passing

Tuesday, April 14th, 2009

Grief and loss

A subdued FD today, looking at the unstoppable current of life that sustains itself, but into which we perish. While spring erupts around us, there is an inescapable sadness this season underlying all the color and joy.

I first became aware of it in college when I was working on the undergraduate literary review, Cellar Door. As we read over the stories for the spring edition, I was amazed at their somber tone.

Fall brings love, spring brings death, the editor said to me.

She was right.

T.S. Eliot’s remarkable poem “The Waste Land” begins with that famous line, April is the cruelest month ….

Thinking myself to sleep last night, I was reminded of words of the Buddha, who said, Every thing that is created will die. It is an inevitable aspect of life that it ends, and yet why are we so devastated when it happens?

I lost an uncle earlier this week, and yesterday found myself undone by it. I spent the afternoon trying to make sense of it all. The large body of experiences, drives and energy we call “family” affects us from the time we take our first breath and for good or bad, is the dominant influence on our lives.

We can fight against it, or embrace it, but it is part and parcel of who we are.

So when my uncle died, he took with him all those years and experiences — the framework on which so much of my childhood was built. He was always part of our large family get-togethers at my grandmother’s house, where he would regale us with stories of ghosts that crept in under the door and would rob you of your brain; or of the country “witch” named “Sis Combs” whose toenails were so long she clicked across the floor like a cat.

He passed Easter morning, and though in later years we sometimes found ourselves on opposite sites of many issues, he was nevertheless my flesh and blood, my tribe, my family.

If there are any lessons in loss, I don’t know them yet. I still struggle to find meaning in any given day, being a person who’s always worried so much about obligations I’ve sometimes lost sight of people. Yet if there is one thing that I believe, it’s that every moment is precious, and must be lived carefully and with intention and honesty.

So today unfolds before me covered by the gray veil, with a sun out there somewhere.

Existential Waters

Friday, April 10th, 2009

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FIGURATIVELY SPEAKING

Today, for the first time in several weeks, I’m not sweating blood to meet a deadline, or tearing through piles of receipts for taxes. Heck, I may even have finished the article I’ve been working on for several months!

And so I’m sitting at my desk, getting ready to take out the garbage and recycling, and about to start work on a Web writing assignment. And maybe take a long run later today. And that’s it.

In a big-picture way, I’m feeling pretty “free.”

… but not in the existential sense.

Why not, then, take a look at what we mean by free … and why we never really are.

In college, I was a devoted French major, with a minor in Political Science. I also have a master’s degree in French literature and language. I know, it sounds so, well, frou-frou. But when I was offered a choice in school at age 14 and someone said “French” I knew it was all over.

My French I class was heaven … and I dreamed of the castles and art museums, all the beautiful ladies who lived there, the incredible literature like Eugene Ionesco (The Bald Soprano) and Albert Camus (The Plague, The Stranger, The Fall).

French took me far from the tobacco fields where I grew up, and out of the small town, split by railroad tracks, where I lived. Before it was over, I was living in France. For two years, including a year in Paris.

I was a big fan of Albert Camus. Most of us know him as an “existential” writer, along with Jean Paul Sartre. But the two could not have been more different.

My soft spot for Mr. Camus comes from his masterful novel, The Plague, and the tender way he writes about humankind. On the surface, “The Plague” tells of a deadly disease that strikes a village in Algeria. The main characters are doctors working there.

This novel is often considered the epitome of existential writing, but let me say it’s quite simply a very very excellent book.

What makes it a keystone novel for philosophy is that the characters don’t spend a lot of time trying to figure out why the pestilence persists. Nor do they wail about their lot. They accept it, working humbly and without fireworks, saving people, one day at the time.

I’ll never forget the scene in which the doctor goes into the ocean for a swim one night. Exhilarated by the freedom of body and movement in the cool water, he feels a temporary, but profound, sense of joy and release.

That night he is free. The next day, he is back at the bedside of his dying, suffering, patients, working against the overwhelming tide of plague that threatens to overwhelm them.

So today, I take my swim. I will breathe and write without constraints of time or cruel editors. I will take big deep breaths of fresh spring air and not think about anything beyond what’s in eyesight. I will be free.

New feed: @fictiondaily

Thursday, April 9th, 2009

TECH THURSDAY

Can’t help myself. I started a Twitter feed for Fiction Daily … you can find it by going to @fictiondaily … it serves up “bite-sized bits of fiction each day.”

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Terrified of the Twitterati: Yours truly

Of course I’m wondering how to use it. As I’ve found with Facebook, my status updates are mind-numbingly boring. So I have two Twitter feeds … @marionpb … @fictiondaily … and with all these forums I worry I’m just wasting everyone’s time with mundane thoughts.

Still, I’ve jumped in with both feet. These so-called “new platforms” are valuable places for fiction and so-called literature. Fiction has always been, well, everywhere. From the first days of the printing press fiction has been there … what is the Bible if not a great book of stories? Fiction serves print, which feeds fiction …from tabloids to magazines to books.

Now we have the Internet and fiction will be a part of it. I just can’t get an idea of the right voice. Casual, immediate. Chatty. A perfect place for fiction!

Yet, it seems my @fictiondaily posts come off as pretentious! Trying to say something profound in 140 characters comes across as uppity.

A writer desires nothing more than to be heard. Now, we’re heard, but what will I say @fictiondaily?

I’ve thought about posting single lines of a short story … single lines from the novel … or creating a new novel just on Twitter.

I’ve also wondered if I could start a thread for a novel everyone could participate in. It could be called @greenvillencnovel or something else.

So here I am, floundering around with these new platforms and trying to find a suitable voice … and yet still trying … wherever there are people and voices, there a writer should be, too.

Taxes & Meaning

Wednesday, April 8th, 2009

CELEBRATING A YEAR OF RECEIPTS

Even after Fiction Daily’s humiliating absence of more than a week, I am still in the weeds with writing obligations. What’s worse, today I am preparing my taxes.

Yet instead of being entirely a drudge, the tax calculations each year are a time to reflect on what I’ve done in a big-picture way. Day after day we go through our lives, spending money, earning our keep, paying mortgages and spending money on books, travel and … well in our case … dogs and cats.

So each year when I add up what I’ve been paid for my work, and compare it with what I’ve paid for the privilege of being a writer, each year it comes out remarkably even. So in that sense, I “balance my books.”

Of course most people work in hopes they’ll actually make some money and many of them do quite well. My income is very modest, but I cannot ask for better work. That’s generally been true for me. Even when I was small, I cared less about apparent gain, than about the value of what I was doing. Many people mistook that for a “lack of ambition,” but inside I always had a plan. It’s just that plan was not necessarily to make money.

I’ve certainly done OK when I’ve had to make money and I don’t mind hard work. More than 20 years, off and on, as a waitress, school teacher and print journalist confirmed again and again the value of honest, hard work.

My work now is just as hard, but not as, well, sellable. How will I ever recoup the past seven years spent developing a novel that is in many ways still in vitro? How can I ever expect compensation for hours spent looking out my window, dreaming of Winterhaven, my fictional estate, along with Delia Lagrace and her sister, Antonia?

Even if it were published, the money would not qualify as “compensation.” It would of course certainly keep me in food and perhaps even allow the purchase of a car to replace my 10-year old one.

Yet the true compensation for the work we do must be in the projects themselves. The engagement we feel while they are under way, and the deep, though fleeing, happiness we feel when we have created something with art and meaning in it.

In Bl-oom

Tuesday, April 7th, 2009

FICTION DAILY RETURNS

Hello out there in Fiction Dailyland. It’s been more than a week now, and though I’d like to tell you I was on a daring mission to save the Crown jewels, rescuing an imprisoned heir, hanging by a rope off a cliff at Big Sur trying to figure out who killed the shady land developer. At the Caribbean seashore saving endangered birds by breaking up a poaching ring. In the mountains of Appalachia protesting mining operations that blow off the tops of those beautiful God-given mountains.

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Trailing arbutus. Photo by MB

Alas. The truth is I am overwhelmed by fairly underwhelming obligations. Yes, yours truly is on the hamster wheel.

Yet today I wake up and look out of the window in front of my desk and see a green world, a slightly overcast sky, and a fresh morning. It’s probably why I became a so-called morning person in college — when I wake my thoughts are orderly and hopeful, and when I see the sun rise and bring a new day, I can tackle whatever seemed so impossible the night before.

So today. Yesterday as I drove through town I realized it’s that moment of the year when everyone who doesn’t live in the South is tragic. Everywhere you look azaleas and dogwoods are blooming. The two open together around here, and everything seems to explode — sprouting leaves are the canvas for the rush of fushia, red, pink and white.

Meanwhile, phlox and sorrel are also in bloom, giving a soft, powder blue and pink tint to lawns and driveway borders.

For wildflowers, the show starts pretty early. No dozing if you want to see trout lily, bloodroot, wood sorel and other dear ones.

Two weekends ago we took a hike at Medoc Mountain State Park. If you’ve never been there, it’s a wonderful place.

Medoc is a trove of wildflowers each spring. You need to start early, however, and our visit March 28 was a bit on the late side. Early March may be better for some flowers, such as Bloodroot.

We did manage to see Trailing Arbutus, a wildflower I’ve always wanted to see blooming. Mom says when it first opens it’s hot pink before fading to white, so maybe next year I’ll catch it. When we saw them, the blooms were white. But so precious.

We also saw trout lilies, some past their peak but others just opening. The main surprise was the degree of flooding … most of the trails were underwater, and in many cases, we walked off trail. I thought it was too early for chiggers, but I did have a few bites. Nothing like it will be this autumn, when you have to coat yourself with spray, and certainly avoid stepping off the trail, or become chigger food.

Medoc is on the to-do list again for May, when Adamasco lilies should be in bloom, and possibly the last of the lady’s slipper (moccasin flower).

We meet with our tax preparer tomorrow afternoon; meanwhile, plenty of work left for me to do on them.